http://www.joshuagajownik.com Joshua Gajownik — Design + Direction Thu, 28 Mar 2013 13:19:22 +0000 http://www.joshuagajownik.com en http://www.joshuagajownik.com/No-Lands-Man http://www.joshuagajownik.com/following/joshuagajownik.com/No-Lands-Man Thu, 28 Mar 2013 13:19:22 +0000 Joshua Gajownik — Design + Direction 4848700 Were I a man of the sea, by trade, this would be my identity. <img src="http://payload127.cargocollective.com/1/0/395/4848700/NoLandsMan_navy.png" width="504" height="378" width_o="504" height_o="378" src_o="http://payload127.cargocollective.com/1/0/395/4848700/NoLandsMan_navy_o.png" data-mid="25909243" border="0" align="left"/> Were I a man of the sea, by trade, this would be my identity. http://www.joshuagajownik.com/Les-Rejetes http://www.joshuagajownik.com/following/joshuagajownik.com/Les-Rejetes Fri, 25 Jan 2013 16:48:07 +0000 Joshua Gajownik — Design + Direction 77054 Things which fall no where in particular but are loved none the less. <img src="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2011-03-31 at 11.27.59 AM.jpg" width="634" height="501" width_o="634" height_o="501" src_o="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2011-03-31 at 11.27.59 AM_o.jpg" data-mid="8335854" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/rejetes2_600_48.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload.cargocollective.com/1/0/395/77054/rejetes2_600_48_o.jpg" data-mid="20267944" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/integratedaccents1_50-1.jpg" width="400" height="300" width_o="400" height_o="300" src_o="http://payload.cargocollective.com/1/0/395/77054/integratedaccents1_50-1_o.jpg" data-mid="24001389" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/screen_shot_2011-11-07_at_8.53.14_pm.png" width="400" height="300" width_o="400" height_o="300" src_o="http://payload.cargocollective.com/1/0/395/77054/screen_shot_2011-11-07_at_8.53.14_pm_o.png" data-mid="11888209" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2010-02-19 at 10.01.36 PM.png" width="506" height="366" width_o="506" height_o="366" src_o="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2010-02-19 at 10.01.36 PM_o.png" data-mid="1182273" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2010-03-20 at 12.41.20 PM.png" width="588" height="362" width_o="588" height_o="362" src_o="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2010-03-20 at 12.41.20 PM_o.png" data-mid="1389155" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/9_picture-6_10.png" width="550" height="267" width_o="550" height_o="267" src_o="http://payload.cargocollective.com/1/0/395/77054/9_picture-6_10_o.png" data-mid="4313771" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/9_picture-6 copy.png" width="550" height="267" width_o="550" height_o="267" src_o="http://payload.cargocollective.com/1/0/395/77054/9_picture-6 copy_o.png" data-mid="1905458" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2011-03-31 at 8.57.43 AM.png" width="449" height="337" width_o="449" height_o="337" src_o="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2011-03-31 at 8.57.43 AM_o.png" data-mid="6016298" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2011-03-31 at 11.42.27 AM_44.png" width="590" height="422" width_o="590" height_o="422" src_o="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2011-03-31 at 11.42.27 AM_44_o.png" data-mid="22032312" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/34_4picture-4_56.png" width="450" height="375" width_o="450" height_o="375" src_o="http://payload.cargocollective.com/1/0/395/77054/34_4picture-4_56_o.png" data-mid="24965527" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/japanese.png" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/0/395/77054/japanese_o.png" data-mid="3061285" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2010-07-24 at 9.41.58 AM_38.png" width="596" height="394" width_o="596" height_o="394" src_o="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2010-07-24 at 9.41.58 AM_38_o.png" data-mid="6019698" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/Screen Shot 2012-10-02 at 9.28.43 PM.png" width="509" height="391" width_o="509" height_o="391" src_o="http://payload.cargocollective.com/1/0/395/77054/Screen Shot 2012-10-02 at 9.28.43 PM_o.png" data-mid="22032607" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/9_9picture-3.png" width="650" height="439" width_o="650" height_o="439" src_o="http://payload.cargocollective.com/1/0/395/77054/9_9picture-3_o.png" data-mid="887989" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/magazine.jpg" width="415" height="550" width_o="415" height_o="550" src_o="http://payload.cargocollective.com/1/0/395/77054/magazine_o.jpg" data-mid="22032394" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/luvblvd.png" width="550" height="333" width_o="550" height_o="333" src_o="http://payload.cargocollective.com/1/0/395/77054/luvblvd_o.png" data-mid="1908971" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/39_26internet.jpg" width="449" height="537" width_o="449" height_o="537" src_o="http://payload.cargocollective.com/1/0/395/77054/39_26internet_o.jpg" data-mid="331164" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2010-03-16 at 12.29.13 PM.jpg" width="300" height="423" width_o="300" height_o="423" src_o="http://payload.cargocollective.com/1/0/395/77054/Screen shot 2010-03-16 at 12.29.13 PM_o.jpg" data-mid="1415969" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/optout.png" width="450" height="338" width_o="450" height_o="338" src_o="http://payload.cargocollective.com/1/0/395/77054/optout_o.png" data-mid="661026" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/9_foam.jpg" width="514" height="250" width_o="514" height_o="250" src_o="http://payload.cargocollective.com/1/0/395/77054/9_foam_o.jpg" data-mid="887990" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/26_calendar.jpg" width="450" height="218" width_o="450" height_o="218" src_o="http://payload.cargocollective.com/1/0/395/77054/26_calendar_o.jpg" data-mid="887994" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77054/14_14575261221873503.png" width="488" height="377" width_o="488" height_o="377" src_o="http://payload.cargocollective.com/1/0/395/77054/14_14575261221873503_o.png" data-mid="887993" border="0" align="left"/> Things which fall no where in particular but are loved none the less. http://www.joshuagajownik.com/Typo-Graphics http://www.joshuagajownik.com/following/joshuagajownik.com/Typo-Graphics Sat, 12 Jan 2013 18:42:27 +0000 Joshua Gajownik — Design + Direction 429773 Having studied letterpress in the UK, setting tiny metal type by hand, typography plays a large role in my work. Here some bespoke type for Nike, Burton, Nixon, myself, and others. Some used, some not. <img src="http://payload.cargocollective.com/1/0/395/429773/typologies_lhc1_9.png" width="500" height="315" width_o="500" height_o="315" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_lhc1_9_o.png" data-mid="24023018" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_bam1-1_41.png" width="500" height="311" width_o="500" height_o="311" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_bam1-1_41_o.png" data-mid="24023127" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_nickvanwoert1_10.png" width="500" height="329" width_o="500" height_o="329" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_nickvanwoert1_10_o.png" data-mid="24023129" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_conCERNed1.png" width="500" height="400" width_o="500" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_conCERNed1_o.png" data-mid="4537607" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_dish1_22.png" width="500" height="400" width_o="500" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_dish1_22_o.png" data-mid="17693264" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_fraktur1.png" width="500" height="400" width_o="500" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_fraktur1_o.png" data-mid="4537611" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_firstthings1_7.png" width="500" height="400" width_o="500" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_firstthings1_7_o.png" data-mid="17693242" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_NSBslash1.png" width="500" height="400" width_o="500" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_NSBslash1_o.png" data-mid="4537620" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2012-09-25 at 11.33.03 PM_26_28.png" width="475" height="380" width_o="475" height_o="380" src_o="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2012-09-25 at 11.33.03 PM_26_28_o.png" data-mid="21795320" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2013-04-25 at 4.52.33 PM.png" width="409" height="394" width_o="409" height_o="394" src_o="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2013-04-25 at 4.52.33 PM_o.png" data-mid="29542799" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_halamka1_40.png" width="500" height="259" width_o="500" height_o="259" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_halamka1_40_o.png" data-mid="23057997" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2012-11-01 at 12.16.13 PM_38.png" width="431" height="282" width_o="431" height_o="282" src_o="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2012-11-01 at 12.16.13 PM_38_o.png" data-mid="23057950" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_nixonblocks1_11.png" width="500" height="344" width_o="500" height_o="344" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_nixonblocks1_11_o.png" data-mid="23065629" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_science1_18-1.png" width="500" height="197" width_o="500" height_o="197" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_science1_18-1_o.png" data-mid="24023169" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_SOS1_19.png" width="500" height="282" width_o="500" height_o="282" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_SOS1_19_o.png" data-mid="21795349" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2013-04-12 at 8.51.17 PM.png" width="500" height="141" width_o="500" height_o="141" src_o="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2013-04-12 at 8.51.17 PM_o.png" data-mid="29075013" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_eckoplane1_37.png" width="500" height="288" width_o="500" height_o="288" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_eckoplane1_37_o.png" data-mid="23065601" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2012-11-01 at 10.46.18 AM_36.png" width="500" height="302" width_o="500" height_o="302" src_o="http://payload.cargocollective.com/1/0/395/429773/Screen Shot 2012-11-01 at 10.46.18 AM_36_o.png" data-mid="23054473" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_opt1.png" width="500" height="400" width_o="500" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_opt1_o.png" data-mid="4537625" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/429773/typologies_alistair.png" width="500" height="400" width_o="500" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/429773/typologies_alistair_o.png" data-mid="24350571" border="0" align="left"/> Having studied letterpress in the UK, setting tiny metal type by hand, typography plays a large role in my work. Here some bespoke type for Nike, Burton, Nixon,... http://www.joshuagajownik.com/Nail-and-Hammer http://www.joshuagajownik.com/following/joshuagajownik.com/Nail-and-Hammer Tue, 01 Jan 2013 20:50:54 +0000 Joshua Gajownik — Design + Direction 1152002 A work of art conceived and executed with the intent of one day living in Herb and Dorothy Vogel's collection. <img src="http://payload.cargocollective.com/1/0/395/1152002/39_391414gajownikherbanddorothy.jpg" width="450" height="501" width_o="450" height_o="501" src_o="http://payload.cargocollective.com/1/0/395/1152002/39_391414gajownikherbanddorothy_o.jpg" data-mid="5541987" border="0" align="left"/> A work of art conceived and executed with the intent of one day living in Herb and Dorothy Vogel's collection. http://www.joshuagajownik.com/Uncommonwealth http://www.joshuagajownik.com/following/joshuagajownik.com/Uncommonwealth Wed, 26 Dec 2012 09:32:03 +0000 Joshua Gajownik — Design + Direction 77380 Topography found in an everyday shopping bag. A perspective with uncommon wealth. <img src="http://payload.cargocollective.com/1/0/395/77380/50_391414gajownikuncommonwealth copy_5_10.jpg" width="528" height="319" width_o="528" height_o="319" src_o="http://payload.cargocollective.com/1/0/395/77380/50_391414gajownikuncommonwealth copy_5_10_o.jpg" data-mid="8328942" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77380/50_391414gajownikuncommonwealth7_6.jpg" width="488" height="319" width_o="488" height_o="319" src_o="http://payload.cargocollective.com/1/0/395/77380/50_391414gajownikuncommonwealth7_6_o.jpg" data-mid="1293359" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77380/Screen shot 2011-12-07 at 9.44.15 PM.png" width="488" height="319" width_o="488" height_o="319" src_o="http://payload.cargocollective.com/1/0/395/77380/Screen shot 2011-12-07 at 9.44.15 PM_o.png" data-mid="12227320" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77380/50_391414gajownikuncommonwealth2.jpg" width="488" height="319" width_o="488" height_o="319" src_o="http://payload.cargocollective.com/1/0/395/77380/50_391414gajownikuncommonwealth2_o.jpg" data-mid="331431" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77380/50_391414gajownikuncommonwealth3.jpg" width="488" height="319" width_o="488" height_o="319" src_o="http://payload.cargocollective.com/1/0/395/77380/50_391414gajownikuncommonwealth3_o.jpg" data-mid="331432" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77380/uncommonwealth8.jpg" width="488" height="319" width_o="488" height_o="319" src_o="http://payload.cargocollective.com/1/0/395/77380/uncommonwealth8_o.jpg" data-mid="12756027" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/77380/candorbay.jpg" width="488" height="319" width_o="488" height_o="319" src_o="http://payload.cargocollective.com/1/0/395/77380/candorbay_o.jpg" data-mid="1337686" border="0" align="left"/> Topography found in an everyday shopping bag. A perspective with uncommon wealth. http://www.joshuagajownik.com/Everything-We-Are-Capable-of-Seeing http://www.joshuagajownik.com/following/joshuagajownik.com/Everything-We-Are-Capable-of-Seeing Wed, 26 Dec 2012 09:31:50 +0000 Joshua Gajownik — Design + Direction 4596192 Exhibition identity for Alistair McClymont's show at the Contemporary Art Museum Raleigh. Like McClymont's work itself, a systematic approach is taken to the design, adding two points to the stroke of each character then displacing at a central axis. The human eye is capable of reading the characters despite their distortion. <img src="http://payload114.cargocollective.com/1/0/395/4596192/Everything_tornado.png" width="600" height="401" width_o="600" height_o="401" src_o="http://payload114.cargocollective.com/1/0/395/4596192/Everything_tornado_o.png" data-mid="24446656" border="0" align="left"/><img src="http://payload114.cargocollective.com/1/0/395/4596192/P1010210.jpg" width="600" height="450" width_o="600" height_o="450" src_o="http://payload114.cargocollective.com/1/0/395/4596192/P1010210_o.jpg" data-mid="27865536" border="0" align="left"/><img src="http://payload114.cargocollective.com/1/0/395/4596192/Everything_animated_type2.gif" width="600" height="391" width_o="600" height_o="391" src_o="http://payload114.cargocollective.com/1/0/395/4596192/Everything_animated_type2_o.gif" data-mid="24446638" border="0" align="left"/><img src="http://payload114.cargocollective.com/1/0/395/4596192/Screen Shot 2012-12-13 at 3.44.54 PM_10.png" width="600" height="376" width_o="600" height_o="376" src_o="http://payload114.cargocollective.com/1/0/395/4596192/Screen Shot 2012-12-13 at 3.44.54 PM_10_o.png" data-mid="24507099" border="0" align="left"/><img src="http://payload114.cargocollective.com/1/0/395/4596192/Everything_EE.png" width="600" height="391" width_o="600" height_o="391" src_o="http://payload114.cargocollective.com/1/0/395/4596192/Everything_EE_o.png" data-mid="24446646" border="0" align="left"/><img src="http://payload114.cargocollective.com/1/0/395/4596192/Everything_initialcap.png" width="600" height="423" width_o="600" height_o="423" src_o="http://payload114.cargocollective.com/1/0/395/4596192/Everything_initialcap_o.png" data-mid="24446660" border="0" align="left"/><img src="http://payload114.cargocollective.com/1/0/395/4596192/Everything_axis_3.png" width="600" height="391" width_o="600" height_o="391" src_o="http://payload114.cargocollective.com/1/0/395/4596192/Everything_axis_3_o.png" data-mid="24465190" border="0" align="left"/><img src="http://payload114.cargocollective.com/1/0/395/4596192/Everything_w_6.png" width="600" height="401" width_o="600" height_o="401" src_o="http://payload114.cargocollective.com/1/0/395/4596192/Everything_w_6_o.png" data-mid="24447464" border="0" align="left"/> Exhibition identity for Alistair McClymont's show at the Contemporary Art Museum Raleigh. Like McClymont's work itself, a systematic approach is taken to the... http://www.joshuagajownik.com/Grafuck-2 http://www.joshuagajownik.com/following/joshuagajownik.com/Grafuck-2 Wed, 19 Sep 2012 07:38:26 +0000 Joshua Gajownik — Design + Direction 93849 Contributions to Grafuck, a book to be judged by its cover (and name). Visit grafuck.com <img src="http://payload.cargocollective.com/1/0/395/93849/gajownik_grafuck.jpg" width="670" height="446" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/0/395/93849/gajownik_grafuck_o.jpg" data-mid="401760" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/93849/gajownik_grafuck3.jpg" width="670" height="446" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/0/395/93849/gajownik_grafuck3_o.jpg" data-mid="401762" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/93849/gajownik_grafuck2.jpg" width="670" height="446" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/0/395/93849/gajownik_grafuck2_o.jpg" data-mid="401761" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/93849/grafuck_cover_1.jpg" width="670" height="446" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/0/395/93849/grafuck_cover_1_o.jpg" data-mid="401795" border="0" align="left"/> Contributions to Grafuck, a book to be judged by its cover (and name). Visit grafuck.com http://www.joshuagajownik.com/Flydende-Hotel http://www.joshuagajownik.com/following/joshuagajownik.com/Flydende-Hotel Wed, 05 Sep 2012 15:59:05 +0000 Joshua Gajownik — Design + Direction 3309880 Perhaps my favorite 'hotel' in the world, CPH Living in Copenhagen embraces it's Danish heritage: nautical roots, contemporary design, and welcoming personality. Inspired by the architecture of the boat, its interior, and furnishings I proposed an identity which relies on five extracted shapes, used to create increasingly complex and telling illustrations themselves. Published in Infinite Pattern by Ginko Press. <img src="http://payload50.cargocollective.com/1/0/395/3309880/CPH_site_ideation_7 copy_15.jpg" width="600" height="439" width_o="600" height_o="439" src_o="http://payload50.cargocollective.com/1/0/395/3309880/CPH_site_ideation_7 copy_15_o.jpg" data-mid="26041640" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/0/395/3309880/CPH_ALL.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload50.cargocollective.com/1/0/395/3309880/CPH_ALL_o.jpg" data-mid="16984963" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/0/395/3309880/CPH_boat.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload50.cargocollective.com/1/0/395/3309880/CPH_boat_o.jpg" data-mid="17765224" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/0/395/3309880/CPH_cards.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload50.cargocollective.com/1/0/395/3309880/CPH_cards_o.jpg" data-mid="17765229" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/0/395/3309880/CPH_fish_6.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload50.cargocollective.com/1/0/395/3309880/CPH_fish_6_o.jpg" data-mid="17765234" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/0/395/3309880/CPH_hatches_3.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload50.cargocollective.com/1/0/395/3309880/CPH_hatches_3_o.jpg" data-mid="17765235" border="0" align="left"/><img src="http://payload50.cargocollective.com/1/0/395/3309880/4a4aac000ebc2c6eb4cefddb9474b66a.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload50.cargocollective.com/1/0/395/3309880/4a4aac000ebc2c6eb4cefddb9474b66a_o.jpg" data-mid="22875444" border="0" align="left"/> Perhaps my favorite 'hotel' in the world, CPH Living in Copenhagen embraces it's Danish heritage: nautical roots, contemporary design, and welcoming personality.... http://www.joshuagajownik.com/Fullsteam-x-Beasley-s http://www.joshuagajownik.com/following/joshuagajownik.com/Fullsteam-x-Beasley-s Wed, 05 Sep 2012 15:55:36 +0000 Joshua Gajownik — Design + Direction 4023934 Following the completed design and successful opening of Ashley Christensen's Beasley's Chicken + Honey a collaborative beer with Sean Lilly Wilson's Fullsteam Brewery seemed only natural. An ale brewed specifically to complement fried chicken and honey. The merging of two distinct brands into one package. Like any true collaboration, ideas spawned more ideas and ultimately one beer became two (a White and a Dark for their respective chicken cuts) calling for two bottle labels. <img src="http://payload86.cargocollective.com/1/0/395/4023934/WhiteDark.png" width="650" height="501" width_o="650" height_o="501" src_o="http://payload86.cargocollective.com/1/0/395/4023934/WhiteDark_o.png" data-mid="21071591" border="0" align="left"/> Both brands used aggressive display typefaces—Beasley's harkening wood type and Fullsteam pulling from steampunk industrialism along with wood cut illustration. To connect the new Beasley's brand with the established Fullsteam look I expanded, rather than simplified, what was an already active combined type program. <img src="http://payload86.cargocollective.com/1/0/395/4023934/Screen Shot 2012-09-05 at 4.49.03 PM.png" width="650" height="479" width_o="650" height_o="479" src_o="http://payload86.cargocollective.com/1/0/395/4023934/Screen Shot 2012-09-05 at 4.49.03 PM_o.png" data-mid="21114384" border="0" align="left"/> A round-to-square slab serif was needed to bridge their typographic gap. Not finding exactly what we wanted, I looked into creating a custom honeycomb typeface, which proved too literal. An altered Quatro Ultra Slab finally fit the bill matching the industrial with the illustrative, the angled with the arched. <img src="http://payload86.cargocollective.com/1/0/395/4023934/Screen Shot 2012-09-05 at 4.50.46 PM_7.png" width="650" height="486" width_o="650" height_o="486" src_o="http://payload86.cargocollective.com/1/0/395/4023934/Screen Shot 2012-09-05 at 4.50.46 PM_7_o.png" data-mid="21141238" border="0" align="left"/> <img src="http://payload86.cargocollective.com/1/0/395/4023934/Durham.png" width="650" height="373" width_o="650" height_o="373" src_o="http://payload86.cargocollective.com/1/0/395/4023934/Durham_o.png" data-mid="21071611" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/0/395/4023934/BeautifulBeer.png" width="650" height="423" width_o="650" height_o="423" src_o="http://payload86.cargocollective.com/1/0/395/4023934/BeautifulBeer_o.png" data-mid="21071613" border="0" align="left"/><img src="http://payload86.cargocollective.com/1/0/395/4023934/Back.png" width="650" height="554" width_o="650" height_o="554" src_o="http://payload86.cargocollective.com/1/0/395/4023934/Back_o.png" data-mid="21071615" border="0" align="left"/> Final labels feature complementing color palettes, die cut honeycomb front, and a subtle nod to the three locales from which ingredients come—Durham, Raleigh, and Tarboro. Following the completed design and successful opening of Ashley Christensen's Beasley's Chicken + Honey a collaborative beer with Sean Lilly Wilson's Fullsteam... http://www.joshuagajownik.com/Beasley-s-Chicken-Honey http://www.joshuagajownik.com/following/joshuagajownik.com/Beasley-s-Chicken-Honey Tue, 22 Nov 2011 08:51:03 +0000 Joshua Gajownik — Design + Direction 2156501 Ashley Christensen takes fried chicken seriously. Always with honey. Pairs it with a rosé. For Beasley's Chicken + Honey, her second shop, I established a strong typographic identity rooted in woodcut type pulling from her southern heritage but in a contemporary context. <img src="http://payload.cargocollective.com/1/0/395/2156501/b_door.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/2156501/b_door_o.jpg" data-mid="12355872" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/2156501/No2.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/2156501/No2_o.jpg" data-mid="12355879" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/2156501/b_sign_9_15.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/2156501/b_sign_9_15_o.jpg" data-mid="28309452" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/2156501/B_tile.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/2156501/B_tile_o.jpg" data-mid="20349992" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/2156501/wall_12.jpg" width="600" height="482" width_o="600" height_o="482" src_o="http://payload.cargocollective.com/1/0/395/2156501/wall_12_o.jpg" data-mid="12357186" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/2156501/IMG_3352_23.jpg" width="600" height="400" width_o="600" height_o="400" src_o="http://payload.cargocollective.com/1/0/395/2156501/IMG_3352_23_o.jpg" data-mid="28309450" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/2156501/Screen Shot 2012-08-10 at 9.24.42 PM_20.png" width="592" height="354" width_o="592" height_o="354" src_o="http://payload.cargocollective.com/1/0/395/2156501/Screen Shot 2012-08-10 at 9.24.42 PM_20_o.png" data-mid="20349991" border="0" align="left"/><img src="http://payload.cargocollective.com/1/0/395/2156501/b_card3.jpg" width="600" height="398" width_o="600" height_o="398" src_o="http://payload.cargocollective.com/1/0/395/2156501/b_card3_o.jpg" data-mid="12355884" border="0" align="left"/> All applications of the brand are handcrafted. Door signage is painted with 1-Shot Sign Painters Enamel. Exterior signage wraps twenty feet long, painted directly on the bricks. Business cards are letter pressed on double thick chip board (looks great with honey and grease stains). The only menu in the place is a twenty two foot long installation on an entirely chalkboard wall. Bathroom signs, I carved by hand out of walnut. In 30 years the entire place will have aged with grace. No cracked vinyl here. Photography by James Tupper. Ashley Christensen takes fried chicken seriously. Always with honey. Pairs it with a rosé. For Beasley's Chicken + Honey, her second shop, I established a strong...